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Quickly shaking off her unemployed status, Sophia visits a vintage store where she finds an original 1970s East/West calfskin motorcycle jacket. She tells BFF Annie that she “quit again,” before pausing and confessing, “Oh, Annie. Sophia clearly doesn’t take her job seriously and is fired on the spot. She sasses her supervisor and pushes every button imaginable: surfing the web, taking a personal phone call from her father and eating her supervisors’ sandwich. The next day begins with Sophia strolling half an hour late into the shoe shop where she works. Shane, who is completely fine with this turn of events, allows Sophia to crash even though they just met and know absolutely nothing about each other. A few moments later, Sophia claims she’s “done” and explains that she doesn’t do one-night stands. After gazing at each other and exchanging shy greetings, Sophia and Shane fall into bed together. Later, Sophia meets up with her friend Annie (played by Ellie Reed, 2 Broke Girls) at the bar, where Sophia eyes the new drummer, Shane ( Klondike‘s Johnny Simmons), who is coincidentally the roommate of Annie’s new hookup, Dax the bartender ( The Middle‘s Alphonso McAuley). Sitting on a park bench, Sophia stares into the camera and states, “Adulthood is where dreams go to die.” We very quickly get it: She’s a pessimist, adamant in her decision to stay young. Lucifer EPs Talk Deleted Final-Season Scenes, Lauren German Working Blue and Sandman's Take on Ruler of Hell But with Amoruso as executive producer, it’s hard to imagine her allowing her empire to be seen in a negative light.TVLine Items: Netflix's Teletubbies Reboot, Pennyworth Trailer and More
#Good girls soundtrack girlboss series
Whether or not the Netflix series will delve into the pitfalls of Nasty Gal or focus on the “wild child turned rogue businesswoman” angle remains to be seen. Among the lawsuits are those from three former employees laid off right before their maternity leave began and trademark infringement from the likes of Chanel and the Hell’s Angels. The timing of Girlboss is interesting, as Amoruso and Nasty Gal are currently embroiled in numerous lawsuits and filed for Chapter 11 bankruptcy in November of 2016.
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As her business grows, however, she has to learn to cope with life as her own boss. Sophia, an anarchist misfit, discovers a passion for fashion, becoming an unlikely businesswoman in the process. IMDB serves up this snippet of plot synopsis:
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The adaption is written by 30 Rock and Pitch Perfect veteran Kay Cannon, who also serves a co-executive producer with Amoruso. Starring Britt Robertson ( Tomorrowland) and Ellie Reed ( Two Broke Girls), the thirteen episode show is based on the New York Times best-selling autobiography #Girlboss, which follows the atmospheric rise of Sophia Amoruso and her Nasty Gal e-commerce fashion empire. One of their latest outings is Girlboss, from Charlize Theron’s Denver & Delilah production company, arriving on April 21, 2017. How can audiences have time to watch a single episode of a show once per week when there are hundreds of episodes to binge watch at once on Netflix? Diabolical, really. Netflix shows no signs of slowing down with their original content, in what I can only assume is an effort to undermine cable and network television.
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